Archive for the ‘ music packaging ’ Category

Hard to Swallow. Self August 2014


Self. August 2014
Creative director: Barbara Reyes
Art director: Petra Kobayashi
Photographer: Jamie Chung

Lovely concept and beautifully photographed. The pill mirrored by the letter O is a nice touch.


Music and type

Music magazine, typography, graphic design


From BBC’s Music magazine, a somewhat halfhearted attempt at emulating the posters of the industrial revolution? Or just a simple typographic cover?

Paul McCartney’s New

New McCartney

Tom Waits Real Gone

While reading Simon Garfield’s excellent book Just my Type today, I came across a passage about Erik Spierkermann. He described his redesign of the magazine The Economist by saying.

“I never want anyone to pick it up and say ‘What a cool typeface.’ I want them to say, ‘What a cool article.’ I don’t design the notes—that’s what writers do; I do the sound.”

While listening to Tom Waits this evening I glanced at the CD cover and thought to myself could this typography any more accurately represent  the gritty rasp of Wait’s voice? I think the designer of this artwork “did the sound” really well.
Tom Waits-Real Gone

No doubt about it

Love the graphic quality of the new artwork for No Doubt’s long overdue collection of songs. Oh, the music isn’t too bad either.

Go to El Mac’s website to find out how he created the paintings.

Pink type

Pink stands in for the letter I in this striking Billboard cover.

Art imitates art

More familiar to most of you are Oscar Wilde’s words “Life imitates art.” And undoubtedly this is true for many things.

I recently watched the film 2001, for perhaps the twentieth time, and who knows if Stanley Kubrick’s vison had any impact on the invention of the iPad. There’s a scene, just before HAL goes nuts, where the two astronauts are sitting in their doomed spacecraft  while looking at screens on their desks that could very easily be digital tablets.

But art imitates art too.

Designers frequently imitate ideas originally proposed by artists and painters. We call it inspiration.

The CD cover below, for music by Béla Bartók, is clearly inspired by the art of El Lissitzy. Bartók and El Lissitzy were contemporaries: they died within 4 years of each other, and so the image on the CD cover, one that visually reinforces our understanding of the time and place the music was written—the Russian Avant Garde—is even more appropriate. That Bartók was Hungarian, not Russian is, I believe, foregiveable.

The CD cover, designer unknown.

The Unchained Theatre, designer El Lissitzky